Thursday, December 13, 2012

EDM : Tommie Sunshine kicked off decks: “Everyone is now an expert of this music”

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In amongst all the great parties going on out there, 2012 has had its share of stories involving DJs unceremoniously booted from the booth (followed by said DJ venting in a Tweet/blog post/interview). The most-quoted reason: the set wasn’t working for the bottle-service crowd. The latest incident happened to New York club stalwart Tommie Sunshine, who recounted his story to Vibe.com. Tommie was kicked off the decks at NYC’s W.i.P last Saturday 8 December for playing “too hard” – even though, as he told Vibe, his set included “Swedish House Mafia, a Ke$ha remix, the Pitbull track in the new Bud Light commercial, Avicii [and] some fun bootlegs.”
“A bit past halfway into my set I was informed that I was being taken off the decks while standing with Askay from MTV & my booking agent Cody from AM Only,” Tommie recounted. “We all had a good laugh about it because everyone is now an expert of this music, especially the ones who pay BIG $ to consume it. Not to mention the clowns who supposedly ‘run’ clubs.”
Later in the story, he added: “Basically their #1 priority is their ‘clients’ who spend money in bottle service & what they say dictates the music direction. The DJs who have to play to people who act this way don’t deserve this kind of abuse. Not only will I never play there again but they have a huge mountain to climb for pissing off AM Only who sent them both Skrillex & Wolfgang Gartner for shows there & now they pretty much spit in my & my agent’s faces.” You can head to Vibe for the full story from Tommie, and the response from a representative for W.i.P’s owner.
Moderating the panel ‘United States Of EDM’ at the 2012 Amsterdam Dance Event, which inthemix covered in-depth, Tommie Sunshine was positive about the current Stateside boom. “I’m excited about some kid in Middle America hearing a David Guetta record and going, ‘Oh god, fuck this’,” he told the room. “And then buying a synthesiser in a punk reaction, and deciding they’re gonna make music instead. That’s the music I want to hear. That’s how this is going to evolve.
“I came into this as a kid from Chicago who loved music; I never thought I’d be in Holland pontificating on where I thought the music was going. But anyone who loves this music is all already on the best side of culture, because we actually know how to have a good time. The rest of the world is trying to figure out what we already know.”

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