We thought actually talking to the minds behind the products would be pretty interesting – and we were right. Check out the above beautiful-looking interview shot by Zach in the most coincidentally aesthetically pleasing meeting room in the world.
Refined Design
A lot of the developments that came about through the design of the Sixty Eight have been carrried forwards in these new mixers. Perhaps two of the most exciting are 32-bit floating point audio throughout and two channels of full USB 2.0 connectivity. The faders are all Rane’s patented magnetic design, one of the many design decisions that is predicated upon the Sixty One and Sixty Two being scratch DJ orientated mixers.The buttons on the Sixty Two are a somewhat unique design. They’re not dissimilar to the ones on the Sixty Eight, but they’re definitely different. They’re a very hard plastic, with almost no travel. Rane explained that there are two reasons for that choice: the longevity of the actual buttons is somewhere in the order of five million presses, and ergonomically there’s a strong case to be made for lining the buttons up above the channel faders in what is ostensibly a scratch mixer. For a start, leaving the fader area free is imperative to scratch DJs, and also being able to stretch fingers from the fader section up to the buttons and press them with almost no resistance is great. Of course, if you don’t like them, the Sixty One’s more spartan design may be for you.
Capabilities
Both mixers have a hardware filter, and feature adjustable resonance. Whilst the Sixty One more or less stops there when it comes to dazzling features, the Sixty Two has a whole host of extras. The Sixty Two’s hardware effects:- Filter
- Flanger
- Phaser
- Echo
- Robot
- Reverb
Want to see DMC 2011 World Champion DJ Vajra tear it up on the Sixty-One? Your wish is Serato’s command.
THE BOTTOM LINE (SO FAR)
The Sixty One is the simpler of the two mixers, designed to be a less feature heavy and thus simpler version of the two; it’s more a Scratch Live enabled version of the TTM-56S than a two channel Sixty Eight. The Sixty Two on the other hand is a behemoth of potential, and if you like the design you might see yourself finding reasons to spend the extra (prices are to be confirmed, but I don’t expect either to be cheap – definitely not the Sixty Two). I’m not 100% sure where I stand between the two yet; I love the effects of the Sixty Two but at the same time I have existing tools to manipulate DJ software, so I doubt I’d use the buttons for the majority of the performance.
Z-Trip's Limited Edition Rane Sixty Two
- Face plate design by Shepard Fairey.
- Purple and yellow accents.
- Includes custom purple cables
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